Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,
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Philipp Otto Runge Hyacinth,Cornflower,Tulip oil painting


Hyacinth,Cornflower,Tulip
mk141 undated cut-outs,white paper on a blue background
Painting ID::  38921 		Philipp Otto Runge
Hyacinth,Cornflower,Tulip
mk141 undated cut-outs,white paper on a blue background
   
   
     
Philipp Otto Runge Morning oil painting


Morning
mk156 1808-09 Oil on canvas 109x85.5cm
Painting ID::  40650 		Philipp Otto Runge
Morning
mk156 1808-09 Oil on canvas 109x85.5cm
   
   
     
Philipp Otto Runge The Small Morning oil painting


The Small Morning
1809-10 Oil on canvas, 109 x 86 cm
Painting ID::  43984 		Philipp Otto Runge
The Small Morning
1809-10 Oil on canvas, 109 x 86 cm
   
   
     
Philipp Otto Runge The Lesson of the Nightingale oil painting


The Lesson of the Nightingale
1804-05 Oil on canvas, 105 x 86 cm
Painting ID::  44000 		Philipp Otto Runge
The Lesson of the Nightingale
1804-05 Oil on canvas, 105 x 86 cm
   
   
     
Philipp Otto Runge The Great Morning oil painting


The Great Morning
1809-10 Oil on canvas, 152 x 113 cm
Painting ID::  52520 		Philipp Otto Runge
The Great Morning
1809-10 Oil on canvas, 152 x 113 cm
   
   
     
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     Philipp Otto Runge
     German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,

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